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  • 2018 8.0

    深夜!天才傻鹏

      以傻鹏一家为中心描绘的家庭喜剧漫画。此前本作曾4度被改编为电视动画,分别是1971年播出的全40话《天才傻鹏》,1975年开始播出的全103话《元祖天才傻鹏》,1990年开始播出的全46话《平成天才傻鹏》,以及1999年开始播出的《ReReRe的天才傻鹏》。

  • 2016 8.0

    筷仙

    王静(朱璇 饰)是一家私立医院的高级眼科医师,自从丈夫车祸身亡,女儿也双目失明,一连串因筷仙引起的离奇血案在王静工作的医院陆续残忍发生,此时,王静的行为举止也变得异常怪异。同事葛健雄(周骏 饰)决定展开种种调查,终于发现除了王静之外,还有她刻意隐藏多年的惊天大秘密……

  • 1965 7.0

    椰林怒火

    《捣毁“战略村”》越南人民在美国侵略者的屠刀下,被赶进了“战略村”,失去了自由。他们怀念北方,盼望早日赶走侵略者,实现祖国统一。在越南南方民族解放阵线的领导下,人民组织起来和美伪军进行斗争,地下武装杀死了敌哨兵,扯下了敌伪军的旗子,挂上了民族解放阵线红蓝金星旗。美伪军发现红蓝金星旗后,惊恐万状。用武力强迫群众再把伪政权的旗子挂上,但英勇的人民决不屈从,恼羞成怒的敌人扛来了汽油,企图把全村人烧死。这时,一位年轻的战士为了挽救全村人的生命,假装上树挂旗,巧妙地向游击队发出了战斗的信号。游击队及时赶到,摧毁了“战略村”。村民们纷纷拿起了武器,投入抗美救国的战斗。《战斗的游击小队》游击队长站在湖边的岩石上,等待着队员们的到来。他们准备去码头执行炸毁美国军舰的任务。一会儿,一位妇女和男孩背来了用竹筒伪装起来的炮弹,两个男游击队员也带来了炸药包,各路的游击队员到齐了,队长向队员们作了战斗动员之后,队员们表示坚决完成任务,然后拿起武器就出发了。他们在通过铁路桥时,遇到了美伪军的岗哨。妇女端着一筐水果挺身而出,机智地将敌人引到自己身边,当敌人争吃水果时,游击队员一跃而上,把敌哨兵干掉了。队长命五姐妹埋伏铁路桥边打阻击,率领其他队员继续前进。一个美国水兵在码头巡逻,三个小游击队员分别化装成擦皮鞋、卖报、卖花的小孩接近敌人,用酒灌醉了美国水兵,并缴了他们的枪。突然,一声巨响,游击队炸毁了敌人的军舰。敌人闻讯,派出装甲车前来追击。在铁路边,五姐妹与敌人相遇。五姐妹英勇顽强,奋不顾身,炸毁了敌人的装甲车,掩护战友们安全转移。《不屈的战士》在西贡,解放阵线的青年战士阮文追不幸被捕。临刑前美国军官摆出一副伪善的面孔,企图诱使他投降。越南人民伟大的儿子阮文追正气凛然,挺胸阔步走向刑场,宁死不屈。他在刑场上厉声痛斥侵略者的罪行,号召人民起来战斗。不屈的战士阮文追英勇地牺牲了。但是,一个战士倒下了,千万个战士站起来。人民踏着烈士的血迹继续战斗,复仇的炸弹炸毁了敌人的机场和汽油库。《椰林怒火》在茂密的椰林丛中,越南南方女游击队员们挥刀劈竹,削制尖桩。解放军战士和游击队员们在宣誓之后,出发去打击敌人。在夜色朦胧中,三名女游击战士,机警地跃到公路旁侦察敌人的动向。她们把敌情报告了指挥员,部队立即埋伏在椰林丛中。前来扫荡的美伪军有的踏响了地雷,有的掉进了陷坑,陷入了重重包围。经过激烈的战斗,敌人大部分被歼灭,剩下的也都缴械投降了。《保卫北方》越南北方军民响应胡志明主席的号召,做好“三准备”:随时准备战斗,随时准备参军,随时准备到任何地方去,坚决打败一切来犯的敌人,保卫北方,保卫南方。人民军战士警惕地监视着天空,男女民兵背着枪在田间插秧。突然,汽笛响,警报鸣,美国空中强盗侵犯了越南的领空。正在劳动的人民,马上拿起武器和人民军一道投入了严惩美国空中强盗的战斗,在猛烈的炮火轰击下,美国飞机燃烧了。在越南人民的坚决打击下,美国的空军优势不过是一只纸老虎,侵略者的讹诈政策终于失败了。

  • 2022 2.0

    家政女皇

    2022年《家政女皇》将进行全新改版升级,节目内容将打造“大家政”概念,向衣、食、住、行、用等大生活范畴拓展,打造百姓“360°生活秒管家”,为观众提供全方位服务。

  • 2018 7.0

    狄仁杰之轮回图

    讲述了狄仁杰刚进大理寺一个月,调查一桩杀人碎尸案,在看似平淡的案发现场,却突然出现了一个神秘的图案。但就在狄仁杰准备深入调查的时候,却遭到了上级的反对,这让他更加怀疑:幕后肯定有更大的黑手

  • 2022 2.0
  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 2017 2.0

    勒索风云

    赖利一家外出加勒比海度黄金假期,租船出海后却遭遇抛锚,然而却遇到一位假装好心的冷血渔夫,要求勒索100万美金。赖利奔走在绝望边缘,同时承受来自勒索者和警方的双重夹击,他是否能及时拯救妻子和儿子于危难呢。影片在命悬一线中游走。

  • 2017 4.0

    暮光·巴黎

    一个发生在“浪漫之都”巴黎,讲述有关爱与永恒的暗黑童话,法国神秘家族“KOI”于100年前创立电影公司,寻找欲望强盛的人类,邀请至古堡拍戏,让人类演绎心底的欲望最高潮之际,摄取人类的欲望。某个午夜,神秘家族成员FRANCOIS遇上林佩欣,一个来自中国的青年留学生,在相处中,林佩欣渐渐爱上了Francois,却在无意间发现他们的交往竟然与多年前失踪的母亲有关,那刻起,一场跨越百年的迷情暗黑童话揭开帷幕。

  • 2021 10.0
  • 2018 10.0

    一喵定情泰语

    励志成为作家的筱雯,机缘巧合下遇见摄影师Mike并捡到一只白色的猫“小龙”。筱雯将小龙带到公寓附近的猫咪咖啡店MEO,并请求店主阿丹收养小龙。没有男朋友的筱雯将面临诸多选择:欢喜冤家摄影师Mike、温柔暖心的猫咪咖啡店店主阿丹、青梅竹马的宠物医生丁葛还是曾经以事业为重将筱雯拒绝的学长篮吉哥?

  • 2017 10.0

    刺客冷血

    故事讲述的是明末年间的俗家弟子卫长明,奉师命护送佛身舍利前往皇家寺庙谁知路上遇到杀手冷血。一番争斗中意外穿越时空,来到现代,遇到小艾。在小艾的帮助下顺利拿到了丢失的舍利同时又被冷血盯上,小艾为救自己的妹妹,被冷血所杀。卫长明看着死在怀里的小艾悲痛万分,决心要为小艾报仇。在张芃的帮助下,卫长明得以手刃冷血,为小艾报仇。

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