在经历了市区暴乱的洗礼后,一干警校学员顺利毕业。此时,拉萨德校长的兄弟皮特警长正为自己辖区内居高不下的犯罪率发愁,警局无钱无人,而警校毕业生就成了支援的最好人选,马哈尼(斯蒂夫•古根伯格 Steve Guttenberg 饰)、乔维、泰克布雷、黑巨人高塔等六人迅速到岗。皮特被限时在一个月内改善治安环境,否则就面临撤职。布特的部下毛瑟心怀鬼胎,认为这是取而代之的好机会,时时不忘嘲讽初出茅庐的马哈尼等人。警长被当地的流氓团伙戏弄后大为光火,发动全部力量向流氓们宣战,无奈战果不佳,只得筹办夜市挽回声誉,岂料
故事发生在遥远的异世界“京”,距离元宫茜(川上伦子配音)成为神龙神子已经经过了数月,她和保护她的八叶之间也有了深厚的感情羁绊。为了为京都祈福,橘友雅(井上和彦配音)接受了建造宫殿的命令,可是工期总因为无缘无故的大火而遭到延迟,阴阳师安倍泰明(石田彰配音)觉得十分可疑,因此展开了调查。另一边,京都发生了孩童被拐走的恶性案件,无论如何都不能坐视不管的茜踏上了寻找真相的路程。在雨中,茜遇见了名为多季史(樱井孝宏配音)的神秘男子,后者为茜披上了挡雨的薄衣后匆匆的消失。他究竟是谁?京都的火灾与孩童的失踪与他有着怎样的联系?茜开始有了一种不祥的预感。
贫民区长大的女子因为生病住院结识了一位年轻善良的男医生,出身富家的医生为了娶她甘心去过贫穷的日子.婚后他不幸摔坏了腿,妻子为了他康复瞒着他去给一富人作护理,由此引来了误会.医生的父亲和表妹诬蔑她不忠,带走了医生和他们年幼的女儿.当然,最后是苦尽甘来的大团圆结局.
美国南北战争期间,三位留守在家的南方女子(一对白人姐妹和一位女黑奴)在南北战争这死寂又危险的年代流浪奔波着。她们必须设法在两个残暴的离队士兵的铁拳下逃脱并活命,在未知的黑暗未来中杀出一条保卫家乡的血路,一场猫鼠游戏,就此展开。影片曾入选多伦多电影节展映。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
劳拉(艾丽西亚·维坎德 Alicia Vikander 饰)的父亲一生都致力于研究古墓,在劳拉尚且年幼的时候,父亲在一场冒险之中失踪了。一晃眼多年过去,劳拉一直拒绝承认父亲已死的消息,也拒绝接手父亲手下的商业帝国。 一次偶然中,劳拉发现了父亲遗留下的冒险笔记,父亲希望劳拉能把这些资料付之一炬,但为了寻找父亲的下落,劳拉决定寻找笔记中记载的岛屿。劳拉找到了名为陆仁(吴彦祖 饰)的男子,两人结伴踏上了旅途。刚一上岛,劳拉和陆仁就遇见了一直和父亲作对的马赛亚斯(沃特·戈金斯 Walton Goggins 饰)以及他的雇佣兵团队。马赛亚斯一心想要找到古墓的踪迹,不惜杀死了不肯透露半点消息的劳拉的父亲,如今,劳拉亦落入了他的魔爪之中,会遭遇怎样的命运呢?
这部纪录片讲述了澳大利亚首批钻头说唱明星在警方禁止他们进行表演的情况下,通过抗争而逐渐崛起的过程。
马切罗(马塞洛•马斯楚安尼 Marcello Mastroianni 饰)是某杂志的专栏记者,他曾试图成为一名作家但是事与愿违,只得终日为明星绯闻奔忙。马切罗经常出席一些社会名流的交际酒会,于是他暗自和摄影师勾搭,设计拍摄明星隐私然后公诸于众。马切罗有一个女友元玛,在送 她回家的途中,搭乘了一位妓院老鸨,后者对他讲述了很多风月场中的轶事,这让他对名利场更加厌恶。在基督教的某个仪式上,一位从美国来的名模总是对着媒体搔首弄姿,后来马切罗的批评家朋友斯泰纳一针见血指出了她的虚伪之处,这让他逐渐认清了上流社会的腐朽,并开始重新审视自己的生活。他发现自己并不热衷奢华的生活,而且对于那个自以为是的元玛也并不满意,并进行了我行我素的反抗……
故事讲述刚离婚不久的格雷格(威尔逊饰)遇到了迷人的伊莎贝尔(海耶克饰)。伊莎贝尔住在大街上,认为这个被污染、破败不堪的世界并不是真实的。她相信这个丑陋的世界是在一个美丽、和平、“真实”的极乐世界的内部。起初格雷格表示怀疑,但他最终发现这个理论很有道理。
FX电视台瑞恩·墨菲打造的《美国犯罪故事》第二季将聚焦服装设计大师詹尼·范思哲被杀案。1997年7月15日,范思哲在迈阿密海滩别墅门前遭枪击身亡,凶手为连环杀人犯安德鲁·库纳南,库纳南八日后自杀。瑞恩·墨菲将任第三季制片并有望执导首集。
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