——虽然很突然,但世界已经灭亡了。1000年前一度毁灭的地球,由名为“Y”的传说中的时钟技师以时钟装置再构筑而成的世界。吊车尾高中生·见浦直人,与“Y”所留下的自动人偶琉珠,以及天才时钟技师少女·玛丽相遇了。当他们的能力相互咬合时,命运的齿轮开始转动。不断重复破裂与延命,将即将崩坏的地球(“时钟机关之星”)修复的时钟朋克·幻想剧!
Adam(杰克·吉伦哈尔 Jake Gyllenhaal 饰)是一所大学的历史系副教授,和女朋友生活在一起,每天上班下班,过着平静的生活。直到一天,他在一部电影里发现了一个长得和他一模一样的演员。他利用互联网找到了该演员的资料,并联系上了他。 和Adam长得一模一样的演员叫Anthony,有一个怀孕的妻子,他一开始只把Adam当成一个疯狂的影迷,直到上网搜索了Adam的资料,终于下决心和Adam见面。 两人约定在一个旅馆见面,Adam见到一个长得和自己一模一样的Anthony,心生恐惧,告知对方此后不要再见便匆匆离开。然而几天后,Anthony却出现在Adam家中,并提出了一个奇怪的要求......
出租车司机李米(周迅 饰)嘴里一直叨叨着神秘的数字,坐她车的乘客都得回答她一个问题:见过这个男人吗?李米的男友方文已经失踪四年,然而在这四年里又一直不停地给她写信告知近况,找不到恋人的李米把他的照片贴在杂志里让人辨认,每天生活在极大的折磨下。 这天她载了一对从云南来昆明等待交易的毒贩子裘水天(王宝强 饰)和裘火贵,这对毒贩在交易时发现“接头人”莫名其妙坠桥而亡,慌张失措时又遇见回头找钱给他们的李米,仓皇上车的裘火贵企图从李米这里抢回损失的金钱回老家。李米利用时机报警,但随后裘水天拜托李米寻找自己的初恋小香而放走了她。 这边坠桥的“接头人”撞上了马冰(邓超 饰)和菲菲(王柠 饰)的车头身亡,马冰和菲菲不由自主地牵扯到这宗命案里。正好被逮捕裘家兄弟的警察叶倾城(张涵予 饰)和李米发现了方文的踪迹——马冰和方文长得一模一样!只是马冰对于李米的相认十分淡漠,李米等了四年的,竟是这样一个结局吗?叶倾城亦开始怀疑马冰的真实身份。
电影讲述了1882年的广东,时局动荡,内忧外患。在广州,湖广商会为了争夺与英商布朗的合作权办了一场擂台赛。梁宽来到擂台替师弟出头,谁知这竟然是英商布朗的阴谋,狂化了的鬼脚七像猛兽一般竟要置梁宽于死地。这时黄飞鸿及时出现救下梁宽,谜底则一点点揭开,英国人来到中国的目的居然是为了制造“战争机器”。而飞鸿一等人这时才刚刚察觉到,这一切的幕后主使另有其人。
影片开始是一个年轻人(理查德·林克莱特RichardLinklater饰)在的士上向司机叙述他的一个古怪的梦,还有他搭上这辆的士的可能性,然而司机毫不在意。年轻人下了车,目睹一个女人出了车祸躺在地上,他拿走了女人的手提包。女人是被她的儿子撞死的,两个警察把儿子从家里带走。街头有人在弹奏吉他唱着歌,餐厅里三个男人在讨论陀思妥耶夫斯基和伟大的作品。一个男人的朋友失踪了,一个陌生人告诉他关于美国登月的秘密还有一些人失踪的真正原因。一个年轻人从他悄无声息地搬走了,他的室友们在他的房间里找到了许多明信片,上面贴着的是从各本书上撕下来的话语。两个女人在街上说话,预言下一个从她们身边经过的人将在两周内死去.....这是一部没有具体情节和具体主角的电影。
「友達以上、恋人未満」の関係で、付かず離れず続く男女の10年間の愛と友情を綴った感動の恋愛ドラマ。田中美佐子とダウンタウン・浜田雅功の息のぴったり合った軽妙な掛け合いが話題になった、胸がときめく作品。 外資系企業に勤めるOLの青空(田中美佐子)は、友人の恋人・雅一(大江千里)が好きで告白したいが友人を裏切る事ができず、彼によく似た愛人で代償しようとしていた。そんな時ひょんなことから嵐(浜田雅功)と出会った青空は彼の自分に素直な生き方に共感し、自分の生き方をもう一度見つめ直していく。
“诸位冒险者,欢迎来到我的店。这是一家只收集了我兴趣爱好的防具店。女性的各位请慢慢挑选,诸位男性就来一起欣赏她们穿上装备的身姿吧。” 故事讲述了在有着这样野心的防具店店主·纳登手下工作的,对女性和魔力耐性极低的店员卡伍兹充满眼福的每一天。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
希腊帕拉蒂奇小岛的居民为了发展旅游业,向德国一家银行贷款进行基建,银行调查员前往小岛实地考察,互相看不顺眼的德国人和希腊人之间将发生什么?这部德国喜剧片利用德希两国人民对彼此的刻板印象,在充满地中海风情的小岛上甩出了一个又一个笑点:骑驴艰难越过山岭,夜晚裸泳引来误会,两国人的侦察与反侦察,而重新找回自我的主题又让人在捧腹之余感受到一份温情。荣获第20届釜山国际电影节“釜山银行”特别奖。
电影《先驱者》以震惊中外的“五卅运动”为题材,这在中国电影史上是前所未有的,也正弥补了这一空白。影片《先驱者》以1925年在上海发生的五卅惨案为背景,讲述了顾正红等革命志士在共产党的领导下反抗帝国主义暴行的英雄事迹。故事以一场法庭审判为框架,用插叙的方式表现了五卅惨案发生的始末,是一部结构新颖的红色英雄主义影片。 《先驱者》通过国际司法调查团秘书罗伯特·伯良走访工人运动的经历者,逐步展现了五卅运动的起因及过程,还原了工人阶级的先锋战士,共丵产党员顾正红的成长历程及最后的伟大牺牲,同时塑造了杰出的工人运动领袖刘涛的光辉形象。电影剧本创作不易,作为革命历史人物题材的剧本创作尤为不易。
《扑通扑通放送事故》讲述了在新冠肺炎时代突然火起来的直播带货公司里发生的一系列故事。
本片讲述了女缉毒队长侦破跨境走私贩毒案的故事在一次追捕行动中,高桥因与毒贩搏斗致脑部受伤,失去了味觉。不久后,高桥与砂锅粥店老板陆鸿因一起车祸,在救人时相识。陆鸿的一碗砂锅粥让高桥尝到了久违的味道,她成了砂锅粥店的常客。他是厨师,也是毒师;她爱破案,也爱吃饭。随着调查的深入,陆鸿的真实身份浮出水面,一心想退隐江湖的他将何去何从?眼看收网在即,一系列杀人案又让高桥陷入了一个巨大的复仇计划中……
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