单身女士

Aump饰演的Bright是一个多金的单身女青年，还有着写博客的文艺爱好，她自以为不需要爱情也可以过得很好。直到有一天算命师告诉她，是前男友们的痛苦阻止了真爱的到来，于是她开始帮助旧爱们，直到遇到了Pae饰演的Kem…

青春派

不疯狂，怎叫青春？居然（董子健 饰）在高考前拍毕业照时，当着全校师生的面，大声地用泰戈尔的诗句向暗恋了三年的黄晶晶（安悦溪 饰）表白，收获了甜蜜的初恋。但很快初恋的甜蜜就被闻讯赶来的母亲（咏梅 饰）破坏了，黄晶晶在居然母亲的刺激下傲然离去，居然伤心的想爬墙挽回初恋，却摔伤了尾骨。失恋加受伤的他高考失利，看着黄晶晶前往复旦的身影，决定复读追逐爱情。开始了一段疯狂的高三历程。 　　在每个青春的回忆中，一个深陷暗恋默默付出的女孩儿，几个情感丰富讲义气的哥们，一群各有故事特色十足的损友，一段所有人共有的回忆。这就是青春派——生活里总在闪烁，永不褪色的一段岁月。

买起曼克顿

　　何忠原藉香港国际刑警队，顺从妻子的意思移民，已经可加入纽约警队，但报道之日，他的上司和同僚被黑帮屠杀，何忠失去靠山，只好与妻子在时报广场卖热狗，艰辛度日。忠妻认识了华裔富陈军，并与军非常投契，军教她如何在纽约打开天下，忠妻原来柔顺，也逐渐变成刚强女丈夫，何忠眼看妻子在变，却不能阻止，原来他已被美国特警录用，专做卧底，目前的任务，恰是调查陈军的犯罪背景。于是我诈你虞，勾心斗角，招来解不开的情与恨。

穿粉色囚衣的犯人#帕丁顿熊2

露西婶婶（伊梅尔达·斯汤顿ImeldaStaunton配音）的生日即将到来，帕丁顿（本·威士肖BenWhishaw配音）决定送婶婶一份会让她终生难忘的礼物。最终，帕丁顿选中了一本立体绘本，然而这绘本是世间仅此一份的珍贵宝物，为了存钱购买绘本，帕丁顿决定开始工作，在遭遇了一连串的失败后，帕丁顿终于找到了适合他的工作——清洁玻璃窗。就在帕丁顿的存款即将达标之际，绘本竟然被一名神出鬼没的小偷给偷走了，同时出现在案发现场的帕丁顿被当做嫌疑犯捉拿归案，并最终被关进了监狱。在监狱里，帕丁顿凭借着自己的爱与勇气改变了墙内死气沉沉的氛围，监狱外，布朗一家人亦从来没有放弃过替帕丁顿洗清冤屈的机会。

小情歌

Afterunhitchinghercamperatalakesideinthemountains,Fayefindsherrhythmcookingmeals,retrievingcrawfishfromatrap,andscanningheroldboxradioforastation.Shelooksexpectantlyattheapproachofacarorthemailman,explainingtoneighboringcampersthatshe’swaitingforachildhoodsweetheartshehasn’tseenindecades.Whenhedoesarrive,LitoandFaye,bothwidowed,spendaneveningreminiscingabouttheirlives,losses,andloneliness.Awhimsicalromance,MaxWalker-Silverman’scaptivatingdebutfeatureshowsan"AmericanWest"fullofquietude,compassion,andintrospection.It’sbothnaturalisticandvaguelysurreal,blurringoursenseoftimeandbeauty,lossandvivacity,thegrandiosenaturalworldandintimatehumanism.CareerperformancesfromDaleDickeyandWesStudibringaninescapablepresencetopeoplewedon’toftenseeportrayedonfilm.Theyaregentleoutlierspossessedofresilienceandexistentialspirit,seekingtoprocesssomethingelusive:afeelingofloveforwhat’snolongerthere.LikeFayeturningherradiodial,theylistenhopefullyforthefainttraceofasong.

难以置信的事实

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

英超 富勒姆vs诺丁汉森林 20231206（刘焕）

斯诺克天津国锦赛64进32 马克·威廉姆斯3-6张安达 20231106（李照）

星期一的由加

以取悦男人为人生目标的不可思议少女由加，小恶魔般的可爱，大胆，开放，同时又有着温柔，善良，娴淑的本性。有着自己的男朋友，也有一个中年的情人。每一次和情人的约会都在星期一，她可以对男人开放自己的身体，却不允许接吻……某一个周日她无意见看到自己的情人送给他的女儿一个漂亮的娃娃，脸上洋溢着无法言说的喜悦和亲情，她的心里悄悄地发生着变化，她和他的故事也许将会改变……

2001个疯子

旅行者们一次错误的走错方向，使他们成为奇怪小镇上饥饿居民的盘中餐

獬豸

《獬豸》讲述了身份低贱的宫女所生下的王子与不甘是女子且武术、搜查等能力出色的女主一同争夺政权，树立正义的故事

美国犯罪故事第一季

1994年6月的一个夜晚，洛杉矶市某个郊外社区的一户人家突发血腥惨案。一男一女不知被何人杀害，死状可怖，而警方初步调查后很快将嫌疑人指向了女性死者的前夫——著名黑人橄榄球明星欧·杰·辛普森（小库珀·古丁 Cuba Gooding Jr. 饰）。现场大量证据将矛头对准了辛普森，检方常胜女将克拉克（莎拉·保罗森 Sarah Paulson 饰）磨刀霍霍，势要将这位国民明星拉下神坛。与之相对，辛普森拒绝认罪，他一度逃亡，上演了全国直播的大戏，之后不惜巨资聘请了梦幻律师团为其辩护。对战双方纷纷派出精兵强将尽最大可能搜集对自己有力的人证物证。而牵动全美民众之心的“辛普森案”正朝着难以预料的方向驶去…… 　　本片根据被称为20世纪“世纪大案”的辛普森案改编。