啄木鸟和雨

宁静的山村进入雨季。村中的老伐木工人岸克彦（役所广司 饰）为人古板，与儿子关系紧张。他在上工途中给东京来的新人导演田边幸一（小栗旬 饰）和副导演带路，由此被拉入一部丧尸电影的外景拍摄。在被迫充当临时演员后，克彦竟对电影产生了微妙的兴趣，他开始不请自来的帮助摄制组与村民沟通，开展工作，甚至忽略了本职与妻子的忌日。                                                                    突然闯入的摄制组扰乱了山村的平静和克彦的生活，也改

同志亦凡人第一季

这是一群生活在匹兹堡男人和男人，女人和女人的故事。在他们的王国里有各色人物。王国的国王Brian（葛尔•哈罗德 Gale Harold 饰），只追求性不问爱； Michael（哈尔•斯帕克斯 Hal Sparks 饰），暗恋青梅竹马的Brian多年；Ted（斯科特•洛威尔 Scott Lowell 饰）自认为毫无魅力，比起实践更喜欢理论；Emmett（彼得•派格 Peter Paige 饰），爱打扮且自信满满。                                            

金牌冰人国语

三位号称天下第一媒的冰人：“金鹊桥”——全家福（马浚伟饰）、“金葵扇”——连百合（张可颐饰）、官媒令狐喜（盖鸣晖饰）有了聚首的机会，因为长安大名鼎鼎的林家招女婿，而出身世家的神捕高裴（陈豪饰）成了他们争夺的对象。令狐喜原本以为自己与高裴认识便成功机会大增。但原来高裴已经心有所属了，对象便是女扮男装的令狐喜。令狐喜为了家族，又怕犯欺君大罪，只好一直收藏自己的情感。至于家福与百合，一番相斗之后决定开设了一家名叫“一线牵”的大型冰人馆。怎料开张当天，发现了一个事关双方幸福的秘密……

疯狂熊孩子

杨豆豆的妈妈查出怀孕，家里可能要多一名成员。只有十岁的杨豆豆并不能理解这一切，他坚决不同意父母的爱只分一半给他，谈判失败，杨豆豆 “离家出走”。但没注意到，一直单独行动的他，已被刘东葛和何大胆两个人贩子盯上了。杨豆豆和孩子们与笨贼之间展开了一场令人啼笑皆非的智斗。最终在警察的帮助下，将两个笨贼绳之以法。在经过一系列事件之后，杨豆豆和父母相互之间多了一份理解与包容。

3月19日 22-23赛季德甲第25轮 柏林联合VS法兰克福

创世纪1：地产风云国语

这部片子描写了三个白手起家的好兄弟的创业故事和其中的恩怨情仇。荣添（罗嘉良 饰）、志强（郭晋安 饰）和文彪（陈锦鸿 饰）是三个一起长大的好兄弟。文彪是一名建筑设计师，志强在银行工作，而荣添则出来创业。荣添开始看好日本电子宠物，于是投资了几十万去生产电子宠物。然而电子宠物的流行很快过去了，荣添的首次创意失败了。随后，荣添投资房地产。他资金短缺，全靠身边的所有人在支持他。文彪当起免费的楼盘设计师，伙计颖欣（郭可盈 饰）对荣添芳心暗许，亦一直无怨无悔的帮助他跑市场，买最便宜的装饰材料，解决工人的牢骚；志强则帮助他与银行周旋。这群年轻人正以自己的双手去闯出一片天。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

风起霓裳

唐高宗永徽年间，极具制衣天赋的胡女库狄琉璃，命运多舛，几经生死边缘，聪颖坚毅的她一次次平安度过，恰在此时，她遇到了少年登科、能力不凡、也同样恰值多年蹉跎不遇的裴行俭。两人在武周夺唐的千古大观中，共同遭遇并见证了皇室的宫闱秘闻、高门显贵的家族争斗、朝野的权力更迭，从曲江池畔的年少懵懂到权力顶峰的惊心动魄，从胡商家族的民间生活到皇宫内部的奢华斗艳，风云变幻的一切，无时无刻不在考验着两人的信念与感情。后宫、朝堂、深宅，处处都是考验与陷阱，他们的路途注定步步惊心，该如何应对，才能让权势熏天的仇敌自食苦果？外界纷扰变化，两人却一直坚守着心中那一轮洁白无瑕的大唐明月，用智谋和鲜血，书写出一段辉煌的事业与爱情的传奇佳话。

无限春光27

《无限春光27》从40年代开始跨越不同的时代背景，相隔10年在一间酒店房间发生的6个独立故事。何超仪演绎的角色灵感来自50年代的脱衣女郎，入住新加坡酒店27号房间发生的有趣故事。导演大赞何超仪说﹕“很有魅力，有智慧又风趣，这次合作很开心，一开机她就像自动发光一样

边隧谜案第二季

Elise Wasserman and Karl Roebuck investigate when a couple are abducted from the Channel Tunnel in front of their young daughter. Events take a dramatic turn when a plane crashes into the Channel.

艺术家2011

1927年，乔治·瓦伦丁（让·杜雅尔丹 Jean Dujardin 饰），是默片的最佳男主角。每次他在舞台上，都会逗得观众捧腹大笑。他的爱犬是黄金配角，其他女演员只有靠边站的份。一次，面对媒体采访，他无意中邂逅了一位表现欲超强的女子佩皮·米勒（贝热尼丝·贝乔 Béré nice Bejo 饰），尽管后者抢镜出风头，但是他还是儒雅以待。不过，这则头条新闻却压过了他的新戏，老板极为不满，老婆也醋性大发。后来，佩皮闯荡好莱坞，恰好与乔治重逢，这令他心神不宁，演戏频频NG。后来，与老板闹僵的乔治，决定自立门户，自编自导自演。与此同时，佩皮却借助有声电影的契机迅速蹿红，成为了首屈一指的明星。最终，他的默片与她的有声片档期撞车，一场在新与旧、情感与票房的争夺战拉开序幕……　　本片获69届金球奖最佳音乐片/喜剧片，让·杜雅尔丹获最佳音乐片/喜剧片影帝，及 64届戛纳...

法律与秩序(英版)第八季

When a car is pulled from a river with a skeleton in its boot the pathologist reckons both have been there for a quarter of a century and eventually the dead man is shown to be Taylor Kane, one of the first black undercover officers, who disappeared at the time of the Brixton riots. Despite no corpse being found at the time his end of service record was signed by his superior o...