开天伊始,魔物横行人间,大神彪云台德借神笛封印魔物,岂料因三位守门神仙疏忽大意,致使魔物逃逸,自此,魔与仙依附人类肉身,开始了绵延不绝的对峙。时光荏苒,朝鲜朝时期有一位道术高深、生性风流的道士田禹治(姜东元 饰),其人凭借幻术以戏弄国王为乐,又对美丽的年轻寡妇(林秀晶 饰)心生情愫。为了达到道术的最高境界并让自己的狗跟班小毅(刘海镇 饰)化身为人,田禹治苦寻神笛与青铜剑,不期然与和他同样目标的画坛先生(金允锡 饰)发生冲突,最终导致恩师被画坛所害,自己和小毅也含恨被三位守门神仙封入画中…… 五百年后,魔物再现人间,三位守门神仙因不知画坛所踪,不得已放出田禹治降妖,一代道士终于重见天日,那宿命的爱情还在等待着他吗?同画坛的恩怨,又该如何了结?
Based on a true story of the American Civil War, culminating at the Battle of New Market, May 1864. A group of teenage cadets sheltered from war at the Virginia Military Institute must confront the horrors of an adult world when they are called upon to defend the Shenandoah Valley. Leaving behind their youth, these cadets must decide what they are fighting for.
《重启咲良田》改编自河野裕创作、椎名优插画的轻小说《重启咲良田》。真人电影分为前后两篇上映,前篇于2017年3月25日上映,后篇于2017年5月13日上映。电影由野村周平、黑岛结菜主演,深川荣洋编剧执导。 故事背景设定在一座看似平凡普通、安详宁静的小镇“咲良田”,这里的半数居民都是拥有超能力并受到约束的“能力者”。女主角春埼美空有着让时间重返3天前的“重启”能力,男主角浅井惠则有着保持记忆不间断的能力,两者在能力上非常互补。他们心怀让2年前过世的朋友相麻堇复活的愿望,接受了各种不同的人的委托,利用“重启”的能力帮人消去“悲伤”,同时他们也为救活朋友而不断奔走。
残酷惨烈的抗美援朝战争,彰显了中华儿女不可动摇的钢铁意志,也让本没有任何交集形同陌路的梁步贵(吴旗饰)和石峰(吴刚饰)结下了生死友谊。一别七年,这两个人却经历着不同的悲喜人生。梁因当年掩护石峰而身负重伤,以致于始终和妻子冬柳(李菁菁饰)未能生养,各种磨难让冬柳的精神崩溃,疯疯癫癫,梁的事业也即将跌入谷底。感慨于战友的遭遇,石峰满心愧疚,于是不顾妻子高晓云(丁柳元饰)的反对,将刚出生不久的儿子送给了梁步贵,这一决定让他迎来了长达四十年的夫妻冷战以及生活的磨难。在此后的岁月里,这群平凡而赤诚的普通人随着古老国度兴衰起承而沉浮……
民国,一具留有“苟利国家生死以,岂因祸福避趋之”字条的尸体,被军方要求七日内破案。而后,又有同样留下字条的尸体出现。一方面是军方反常的举动,另一方面是神秘的信息,主人公司马洛智破连环杀人案。
InthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFrantišekVlá?il,basedonanovelbyAlfrédTechnik,adaptedbyFrantišekA.DvorákandMilošKratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLiška(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.
The fourth installment of the 'Hate Story' franchise.
本片是香港导演陈果妓女三部曲最后一部(《榴莲飘飘》,《香港有个荷里活》),本片讲述了一个奇特的妓女在香港的一条船上生活的故事。她有着超乎常人的性欲和三个丈夫,她将自己地献身于她的工作。用性来讽刺时代,这部电影充满了强烈的欲望。
片中特雷弗·麦克唐纳将带我们进入神秘的加勒比,参观世界上独特、美丽的岛屿和当地的民俗风情。 每集将有不同的三个地方: 内克尔岛,古巴,特立尼达; 牙买加,穆沙岛,巴巴多斯; 安提瓜,蒙特塞拉特岛,格林纳达。
8月6日 22-23赛季英超第1轮 热刺VS南安普顿
A suburban woman fights to be believed as she finds herself stalked by a threatening figure who returns to her house night after night. When she can't get help from those around her, she is forced to take matters into her own hands.
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