最佳损友闯情关

咸湿超（陈百祥 饰）即将与女友Dorlina（吴君如 饰）结婚，损友牛精帆（冯淬帆 饰）、口臭奇（曹查理 饰）极力阻止。 这时候他们的好友之一徐定贵（刘德华 饰）的哥哥徐定富因为经营不善而导致自己的公司负债累累，欠下了霍氏公司一大笔债务，定富的公司被迫宣告破产。为了帮助哥哥，徐定贵与咸湿超等几位好友潜进了霍氏公司，希望能对复兴公司有所帮助。 定贵的办事能力得到老板的赏识，霍氏便把女儿Nicole（关之琳 饰）介绍给定富认识，怎料在Nicole的生日舞会上，定贵的女友豆豆（邱淑贞 饰）出现了……

烈火终结者

球迷崇拜明星球员的情况十分普遍，但走火入魔之后却容易失控。本片男主角吉尔雷纳是个刀具推销员，他一向将黑人棒球选手巴比·雷朋作为偶像。当巴比的运动事业攀上高峰，吉尔自己却走进人生的底端，既离婚又失业。于是他把自己生存的目的完全投注在巴比身上，为了维护巴比的巨星地位而不惜恐吓、杀人，甚至绑架巴比的儿子威胁他一定要击出全垒打，引起球场上的惊人大bd。 　　幕后制作 　　影片用戏剧化手法刻画球迷的变态心理，效果犹为触目惊心。不过他对映象的刻意经营稍嫌虚浮，使得冲击力仍未全面发挥。1981年有一部同名影片，讲一个变态影迷疯狂追逐百老汇明星的故事，由劳伦·白考主演。

八两金

张婉婷“移民三部曲”之一，时间背景为中国大陆改革开放初期。                                                                            猴子（洪金宝）文革期间一声不吭离别家乡汕头台山偷渡赴美，立誓再也不回中国。16年来，他凭着中国人特有的小聪明和吃苦耐劳兢兢业业地做着的士司机，可是攒下的积蓄却是有限，不过身体倒是发福不少。熬不住思乡之苦下决心回乡时，他向伙伴借下八两金（金手表、金项链），又买大大小小物件若干好“衣锦还乡”

萤爱

　　It’s 1939 in Siam. The Japanese are threatening invasion and the Free Thai movement is gaining momentum. Angsumalin, the beautiful daughter of a military leader, says good-bye to her friend Vanus, who is going to England to study. She won’t promise to marry him, but will give him an answer when he returns. The Japanese invade, and circumstances bring Angsumalin together with Kobori, an idealistic Japanese captain, who is also related to a powerful Japanese general. Although she despises Kobori, she agrees to marry him for political purposes to protect her father and the Free Thai movement. In 1944, Vanus returns and the conflicting rivalries and emotions come to a head.

5月7日 22-23赛季法甲第34轮 都灵VS蒙扎

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

鬼乡

故事发生在1943年，日军的屡屡侵犯打破了朝鲜国民的宁静生活，一时间硝烟四起，百姓们失去了赖以生存的家园，过着流离失所的悲苦生活。居昌郡的一个小小村落里，生活着名为正敏（姜荷娜 饰）的十四岁少女，正敏...

台湾水浒传

《台湾水浒传》是一部以台湾光复前后为时代背景的台湾电视剧。它的片头曲是用尽一生的爱，片尾曲是繁华拢是梦。

云之舞

该剧讲诉了虐恋情深梗！他带着目的接近她，却也不可自拔地他们相爱了，可当她知道他的目的后...

赛末点

穷小子威尔顿（乔纳森?莱斯?迈勒斯）为改变自己的命运，从爱尔兰来到伦敦当起网球教练，立誓要凭一身网球绝技混入对该运动情有独钟的上流社会。结识富家公子哥汤姆后，他得到机会，对方的妹妹克罗伊（艾米莉?莫蒂梅尔）对他一见钟情，其后，在对方的父亲的相助下，威尔顿顺利混入上流社会。　　正当要与克罗伊谈婚论嫁时，威尔顿邂逅汤姆的女友、来自美国的女演员诺拉（斯嘉丽?约翰逊），后者同样在为进入上流社会做着不懈的努力。相似经历令两人萌生真情，但威尔顿并没为诺拉放弃自己的计划。一切梦想都成真后，威尔顿重遇已与汤姆分手的诺拉，两人旧情复燃，威尔顿开始在她与妻子之间周旋。不久，诺拉怀孕坚拒堕胎，威尔顿迎来人生的赛点。

灰色惊爆

影片揭开黑白之间的灰色地带，走进人与人间的关系边界，杀手、妓女、警察、黑道老大等社会边缘人物齐齐亮相，探讨非主流人物的内心情感变化及经历，展示社会显为人知的一面。\r　　费平想结束杀手生涯与小琪双宿双飞，恰巧发现小琪妓女的身份，导致两人产生隔膜。警察赵大，在一次稽查援助交际时发现妻子与同学田孙礼通奸，怒火中烧的他竟举枪想将田杀掉，却碰上正在作案的费平，田乘机栽赃赵为凶手。费平接了杀高官情妇肃倩的指令，在行动中竟与苏产生感情，而同时赵亦与小琪陷入恋爱之中，机缘巧合之下，四人竟站到同一阵线，引发黑白两道正邪大战……

女生宿舍

20世纪30年代，华南医科大学迎来了新的学生。出身优渥的好姐妹夏梦芊和方慧茹同被分到传说中闹鬼并死过人而被封闭起来的宿舍415，与她们一同入住的还有神神叨叨勤学卦术的汪子乔和高贵冷艳自视甚高的何秋岚。校园恐怖传说，配合浪漫美好的青涩恋情，让少女们的校园生活充满了别样的乐趣。然而一切急转直下，梦芊无意间撞破秋岚的风流韵事，而后者因匿名举报信跳楼自杀。未过多久，子乔也死于非命。清新的校园生活蒙上恐怖的阴影，一连串恐怖事件的背后，邪恶阴险的阴谋悄然浮出水面……